It all started with the “Wedding Day at Troldhaugen.”

On Saturday afternoon, as I sat at my desk working on a client’s rush project, one of my favorite classical stations began playing this delightful piece by Edvard Grieg. I say “delightful,” but for all I know, it could be part of something weird and dark. (After all, Grieg is the same person who wrote the Peer Gynt Suites No. 1 and 2, and Peer Gynt is not exactly a bright and sunny tale.) Continue reading →