State v. Claus is live!

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Thrilled to announce that State v. Claus is now live! You can buy State v. Claus wherever you like: directly from Tuxedo Cat Press (paperback only), from your neighborhood bookstore (paperback or ebook), from your favorite online bookstore (in whichever formats they offer). Read State v. Claus however you like–just head over to Tuxedo Cat […]

Back to Work

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My new favorite tool

Turns out, I’m not very good at wallowing. I can only do it for so long before it starts to annoy me. Which meant it would only be a matter of time before I picked up Draft #2 to see what might be salvageable.

The first step was to figure out exactly what was there. I took the printed pages and a notebook, and I began to map out the sections. I assigned a number to each section, and in the notebook, I scribbled a brief description. Occasionally, I made a note in the manuscript itself, most often “nec?” to ask if the section was actually necessary. Turns out, there’s a fair bit of pointless rambling and redundancy in the book at the moment, but at least I know where it is.

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The Next Day

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Draft #2

Once before, I did it. This total rewriting, remaking of a story.

The story in question was the third segment of a trilogy. I knew how I wanted it to end, but somehow the ending always fell flat. I kept sending drafts to a very patient writer friend, asking if it worked because I hoped desperately that it actually did and I just wasn’t seeing it. Except she saw exactly what I saw, namely that it didn’t.

Finally, I took what I’d written and set it aside, and I began again. This time, instead of beginning with a quiet, dull scene where family members talked about their depressed family member, I went to the other extreme. I plunked him down in the middle of a bar fight, one he’d started. At once, the story was alive, with people doing instead of merely discussing.

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Rotten

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Photo credit: Anita S on Pixabay

Today, I read Draft #2. I can sum it up in one word:

Rotten

There is so much wrong with this draft that I have no idea where to start fixing it. Isolated scenes are fine (some of them, anyway), but they don’t fit together because I was writing them as the spirit moved instead of trying to compose a coherent tale. It’s discovery writing at its worst: you end up with a pile of scenes that don’t fit, and then you have to figure out what to do with them.

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Deadline Met!

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Danny and Draft #2

Delighted to announce that Draft #2 is done! Many thanks to all the kind and lovely people who continue to support and encourage me in this endeavor. I adore you all!

February 18 was my modified deadline for Draft #2. As you may recall, my original deadline was February 1. When it became clear that wasn’t feasible, I moved it. Unlike deadlines in my day job, I didn’t have to seek permission or file a motion—I just reset it. The first date was up to me, and so was the second. I simply picked what I thought was reasonable and got back to work. (Note: in case you were wondering, it’s very freeing to be able to change a deadline without getting permission from a judge. Made me feel quite powerful.)

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Missing the Deadline

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Image credit: Mohamed Hassan on Pixabay

I set a deadline for completing the second draft of my novel: I would finish Draft #2 by January 31.

As of today, February 2, I have not finished it. Nor will I be able to do so this week, or probably next week.

In all fairness, I’ve had many things to do this week, primarily work. Still, when I set the deadline, I knew I’d be working, and it seemed reasonable anyway.

As regular readers of this blog know, I’m a huge fan of things like planning, scheduling, and setting deadlines. Having a deadline is what lights a fire under me. Otherwise, I’d meander along life’s path, talking about how I’m going to do this or that “someday”—which, of course, rarely comes.

So why didn’t the deadline work for me this time?

I could point to a number of causes, but probably the main one is the simplest: I failed to plan for delays.

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Lull

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Photo credit: Lena Lindell on Pixabay

When you’re self-employed, a lull in the flow of work can be terrifying: OMG! This is it—the end! I’ll never get another project or make another sale! I’ll have to get a job where I say things like “Paper or plastic?” or “Would you like fries with that?” No more independence or freedom to make my own schedule! I’ll have to wear a suit or a uniform and commute to work in somebody else’s office or store! And I’ll have to ask permission to take time off to take the cats to the vet or leave early if I have dinner plans with a friend!

Then, you go through all your bank accounts, and you check your accounts receivable to see if anybody still owes you money, and if they do, you send them a very nice email to follow up and nudge them into paying their bill. You evaluate your expenses to see what you can reduce or eliminate. (True story: on my third day of self-employment, when I’d finished all the projects on my desk, I reviewed my bills to see where I could cut back. Only one option presented itself, and so I cancelled my subscription to TV Guide to save $10.) If you’re like me, you pull out the Sermon on the Mount and reread the part where Jesus talks about not worrying about tomorrow and how the bird are fed and the flowers are clothed and how people are of more value and God will provide. (Matthew 6:25-34) After that, you check the basket in the kitchen drawer for loose change that you meant to roll and take to the bank, and you check the garage for bottles you can return for 5 cents each.

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A Few Thoughts about Selling Books at Live Holiday Events

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Winterfair in Hartford, Connecticut

The 2022 holiday season was the first year that I made a serious effort to market my books directly to readers at live events. When State v. Claus was published in the fall of 2020, we were still in the throes of the pandemic, and so live events weren’t an option. The following year, when My Brother, Romeo came out, I wasn’t certain how to market it since it’s a novella and only available as an ebook, but I figured there was no point in a live event when people couldn’t buy a signed copy of the book.

I did two live events in 2021. One was a multi-author event held by my local bookstore at the town’s annual arts fair. All I had to do was show up, read, answer a few questions, and sign books after presentation. The bookstore did the rest, including the actual selling of the books and the marketing of the event.

The other event was at a local Christmas tree farm that wanted to create more of a draw for customers. I set up a small table in their greenhouse next to Mrs. Claus and hung out for a few hours, chatting with whoever paused for a candy cane.

Neither event resulted in many sales, but they proved a good way to get my feet wet. More importantly, they impressed on me the importance of handselling a book, i.e., talking to a potential customer about it. This impression was confirmed when I volunteered at the bookstore’s Independent Bookstore Day in April. When a young woman asked me for a recommendation, I inquired about what she liked. She wanted fiction, and she liked romance and fantasy. I really did try to come up with another title, but finally I said, “Maybe you’d be interested in my book.” I told her about it; with great excitement, she not only bought it, but recommended it to a friend who was there—who also bought a copy. Both women were delighted to have met the author and gotten signed books, and I was thrilled to have met such enthusiastic readers.

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Things You Need for Book Events

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Santa Dave of #thesantaconnection at Winterfair, Hartford, Connecticut

Before I did my first book event last year, I Googled “what do I need for a book event?” and found a very helpful list. This year, as I participated in quite a few holiday markets and book events, I discovered that the very helpful list was incomplete.

For purposes of this post, I’m assuming that you don’t want to spend a fortune and that you’re going to be singularly responsible for transporting everything to and from the event. (If you have buckets of money to devote to your event and/or a spouse or significant other who’s willing to haul your stuff around, good for you.)

Based on my experience, here’s what you need for a simple event or holiday market, in no particular order:

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Letting Go

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Photo credit: Ankus Minda on Unsplash

We all know the feeling, especially at the holidays: everything needs to be done, and it needs to be done NOW.

I know I should be grateful. Lots of billable work, including four items on deadline in the next two weeks, in addition to the three I already wrapped up and shipped out this week. Nothing horrifically difficult, but all requiring time and attention before satisfied clients respond with payments that keep the lights on and the cat food in stock.

And that’s just the day job. For the publishing job, I hauled books and table decorations to four holiday market events in nine days, beginning the day after Thanksgiving, and I have two more this weekend and one next weekend. Those have been a blast as I’ve met readers and gift-givers who bought signed (and sometimes wrapped) copies of State v. Claus. Even more fun is meeting up with friends I haven’t seen in ages, including a former student whom I hadn’t seen in nearly forty(!) years who made the trek to Hartford with her charming husband, just to say hello and buy a couple of signed books.

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Pulling Weeds

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Some people love to weed their gardens. From what I’ve read, they derive a deep satisfaction from getting their hands in the dirt and ousting the weeds that threaten their flowers and vegetables.

And then there are people like me, who will pull a few weeds if it occurs to us, but are otherwise inclined to live and let live. After all, what is a weed but volunteer plant that is simply misplaced? Besides, some volunteer plants are good. Every year, I end up with at least a couple foxgloves that I didn’t plant, the seeds dropped by some passing bird. The one time I tried to plant foxgloves, they died almost immediately, but the volunteers are hardier, their flowers lasting for days at a time.

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