Okay, not a major problem. Not compared to what some people are dealing with this week. But it’s a problem for me.
My book is all over the place.
It’s my own fault. I’m the one who started writing random pieces here and there, figuring they’d eventually fall into place. It’s always worked before. But this time, the story is resisting.
Last weekend, I had the privilege of participating in the Connecticut Book Festival. Except for the brief period when I read from State v. Claus, I spent the day sitting at my book table, chatting with anyone who came over.
The summer is slipping away. In a mere few weeks, students will return to school for the fall semester. Here in the U.S., the arrival of Labor Day (first Monday in September) signals the unofficial end of summer and the official return to the usual hectic pace of the rest of the year.
For me, this summer has felt unusually long. Beginning as it did with my father’s death on the day after Memorial Day—coincidentally, the unofficial start to the summer—June was consumed mainly with the logistics of the memorial service, estate management, and working out a new Mom-care routine. As June slipped into July, my mind turned slowly to other matters, such as my novel-in-progress and my billable workload which, as in the past, lightened in the summer. I discovered the town pools and embarked on a semi-regular routine of swimming a few times a week. I signed up on several occasions to distribute vegetables after church, a simple task that requires nothing more rinsing off what has been harvested from the church garden and spreading the harvest on a table out by Farmington Avenue so anyone who wishes can enjoy garden-fresh produce.
Somewhat unbelievably, I did it. In spite of major personal challenges that offered me every reason in the world to quit—or simply not to start in the first place—I finished this year’s #1000wordsofsummer challenge.
Several days ago, a friend and I went to a local farm to pick blueberries. In the field, it occurred to me that this would make a terrific blog post, because there were similarities between blueberry picking and the writing process. I took some photos, and I even asked my friend to take photos of me picking. As I filled my container, I looked for ways I could link writing and blueberry picking. It was going to be brilliant, the kind of post that would inspire writers for years to come.
For fourteen days, I wrote 1,000 words every day. Regardless of whether I had anything to say, I wrote. I produced words, sentences, paragraphs. I met the challenge.
I expected that at the end, I’d have developed a new writing practice that would have me writing 1,000 words a day forever.
What I didn’t expect was to be so freaking exhausted. Continue reading →
To say this is an odd time is an understatement. Better adjectives might be strange, bizarre, or surreal.
Exhibit A: Olivia is sitting on my desk. The last time she sat here voluntarily was at least a decade ago. Granted, I lifted her up since she can no longer make the leap, but she’s stayed. Continue reading →
Last spring, I applied to a very prestigious writing conference, taught by writers whose work is routinely praised, if not revered, by the literary community. Rationally, I knew acceptance was a long shot. On the other hand, I figured the admissions committee probably wasn’t sitting around at night hoping I might grace them with my presence. The only way I’d have a chance was to apply.Continue reading →
Last week, I discovered a genre I’d never heard of: up lit.
One article describes up lit as “the new book trend with kindness at its core . . . novels and nonfiction that is optimistic rather than feelgood.” Continue reading →
Whenever I talk with someone who’s venturing into the weird and wonderful world of writing, I inevitably get this question: “Do you know of any books that would be good for me?” As a matter of fact, I do. The bookcase in my front hall houses dozens of such volumes. Some are essays about writing and creativity; some are about the writing life (such as Annie Dillard’s The Writing Life); some focus on craft; some are resources on specific topics I’ve written about or intend to (Deborah Blum’s The Poisoner’s Handbook is a gem for those writing about murder); some contain writing prompts or odd facts designed to stir up the muse (The Book of Useless Information, by Noel Botham and The Useless Information Society). Continue reading →