I am now one step closer to the release of my novella, My Brother, Romeo.
Today, I sent my acceptance of a quote for cover design by the talented folks at Design for Writers. This is the same firm that did the gorgeous cover for my novel, State v. Claus. If you’re an indie author looking for professionals to handle your cover, I highly recommend Design for Writers. (Note: They didn’t ask me to say this, nor are they giving me any kind of deal or perks for recommending them. I’m saying it because I remember how many hours I spent researching cover designers, and I’m hoping to save somebody else a little time.)
Last night, I discovered a streaming series entitled, “The Movies that Made Us.” In its first season, the series explored the making of “Dirty Dancing,” the iconic coming-of-age story of a young woman who falls in love with a dance instructor during her family’s summer vacation at a Catskills resort.
“Dirty Dancing” was released in 1987. I had just moved to Stamford, Connecticut, when the movie came out, but I didn’t know that the studio responsible for “Dirty Dancing” was also based in Stamford or that this studio was known at the time for adult videos, not feature films. I also didn’t know the driving forces behind the movie were two women, or that at least part of the movie was based on the experiences of one of the women, or that they’d ended up with the now-defunct Stamford studio because literally every other studio had turned it down, many claiming it was “too girly.”
The managing editor of Tuxedo Cat Press would like to share a few thoughts.
My name is Charlotte Antoinette Burgh. Once upon a time, I was a pregnant stray. Then, I was a shelter kitty, waiting to be adopted while my adorable little kittens easily found homes.
Today, I am the managing editor of Tuxedo Cat Press.
It wasn’t an easy road. My time on the streets was rocky. In addition to getting knocked up, I got into a few scuffles that left me with a scar on my nose and another on my eye. Not terrible, but enough that some potential adopters didn’t think I was pretty enough.
In its way, everything we write reveals us. Not because we’re naming names, but because who we are—what we think, believe, and have experienced—comes through in what we choose to create.
Here’s an example. The novella I plan to publish later this year arose out of the juxtaposition of two very different elements. One element was my beloved Bonanza; in fact, the original version of the novella was created as fan fiction. The other element was my long-ago experience directing a high school drama club, where the kids were talented and enthusiastic and I was utterly clueless. Put the pieces together, revise the living daylights out of them, and voilà! It’s a lighthearted tale about siblings and community theater: My Brother, Romeo, slated for publication this fall.
When I was in high school, I wrote constantly. Stories spilled out of my brain, and my pencil was barely swift enough to catch them all. Sprawled on my bed, upright at my desk, out on the swing (where the stories raced around my mind, here and gone in nearly the same instant). Summer nights while the rest of the family slumbered, the hours ticking away as I reveled in my made-up world.
Today was the sixth consecutive day on which I devoted an hour to writing the sequel to State v. Claus.
If you’re a disciplined writer with an orderly writing practice, a six-day stretch may not sound terribly impressive, but trust me: you should be impressed.
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Reader Elizabeth Flynn sent me this pic after she bought State v. Claus at River Bend Bookshop in Glastonbury, CT, which means she’s supporting TWO local businesses–River Bend Bookshop and TuxedoCatPress!
(On second thought, make that THREE local businesses–River Bend Bookshop, Tuxedo Cat Press, and P. Jo Anne Burgh, Author!)
It’s Small Business Saturday, so be like Elizabeth Flynn and support your local small businesses!
P.S. State v. Claus is available from other local bookshops, too, including Sparta Books in Sparta, NJ. If your store doesn’t have it in stock, just tell the person in charge of ordering that it’s available through Ingram. They’ll know what that means.
Sixteen years ago, I was going in for minor surgery, and it occurred to me to wonder what would happen if I didn’t come out of it. General anesthesia carries that risk. The funny thing is that I didn’t regret not marrying or not having kids. As I filled out pre-op forms, I realized that if I died, what I’d regret most at that last moment was that I’d never written a book.