We’re into the second half of the month, and I’ve met my word goal every day. So far, so good.
If I’d been thinking, I’d have noted how many words of this book I’d already written before I started this challenge so I could know exactly how far I’ve come. As of tonight, the first draft is 20,523 words. I know I’ve written at least 16,000 words this month, but the truth is that I routinely go at least a little bit over the 1K daily minimum. So all I know right now is that if I continue to meet my daily goal, I’ll have another 15,000 words written by the end of the month, for a total of just over 35,000 words of my first draft.
When you’re trying to stick with a writing program, it helps to have a buddy to keep you on track.
My buddy is Charlotte.
As I mentioned earlier this week, I usually start getting ready for my writing time a little before ten o’clock in the evening. Yes, I know that for some people, ten o’clock is bedtime, but I haven’t gone to bed that early since the eighth grade. These days, on a typical weekday, I finish work around seven or seven-thirty. Then, it’s time to feed the cats and make my own dinner. I usually eat somewhere around eight-thirty or nine o’clock, so by the time I finish and clean up, it’s getting close to ten.
We’re getting into a routine, Charlotte and I. At about 9:45 p.m., I put the kettle on to make tea (decaf at that hour). While the water boils, I put my glass of ice water, the journal in which I make book notes, and the little pouch containing my flash drives on the round bookcase/end table next to the recliner. Then, I make tea and place it next to the ice water so I’ll have choices.
By this time, Charlotte knows what’s going on. With my Surface and lap desk, I settle into the recliner, and she hops up in the chair, reclining next to me. I haven’t sorted out whether she thinks it’s her job as managing editor of Tuxedo Cat Press to oversee the drafting of the next book, or whether she’s being kind because hanging out while I write used to be Ned’s job and she doesn’t want me to be lonely. Either way, it’s lovely to have her next to me as I craft the new story.
I’m almost afraid to say it, but so far, it’s going well. I suspect some of this has to do with the fact that I’ve been thinking about the story and making notes for the past couple months, but I think a bigger factor is that I’ve been writing regularly. This is the eleventh day that I’ve written at least 1,000 words, and the routine definitely makes a difference.
This, I think, is probably why so many established writers counsel aspiring writers to write every day. Doing something regularly keeps the flow going, whether it’s exercising, watching what you eat, practicing the piano—or writing. The reality is that sitting down to write is less intimidating when it’s just what you do every day, like brushing your teeth, and you don’t have to spend time and energy deciding whether you’re going to do it.
Today, writing my 1,000 words (slightly more, actually) took less than forty-five minutes, leaving me plenty of time to put everything away before the eleven o’clock news. Granted, a lot of people can’t devote forty-five minutes to writing every day. To them, I say, “Do what you can.” If you can only spend ten minutes writing, then spend that ten minutes. Whatever you can do, try to do it every day, or at least as regularly as you can. Don’t give the creative well time to dry up.
My copy of Jami Attenberg’s wonderfully encouraging book
I know what you’re thinking: “1,000 words of spring? Day 7? Did I miss something?”
No worries. It’s not you. It’s me.
First of all, the marvelous Jami Attenberg, who oversees the annual #1000wordsofsummer challenges, hasn’t actually established 1,000 Words of Spring, at least as far as I know. That’s just me on my own, using her incredible work as inspiration to write more.
Earlier this week, I attended a writing webinar taught by Carmen Maria Machado. The title of the webinar was, “Every House is a Haunted House.”
To begin, let me note two important points. One, Ms. Machado is a wonderfully dynamic teacher. Her enthusiasm is contagious, and her knowledge of the subject matter is obviously wide-ranging.
Two, I clearly misunderstood the topic. I assumed she would be talking about the notion of something haunting a character in a more psychological sense, such as visiting their childhood home and being haunted by the memory of a mistake, a lost love, a missed opportunity. Instead, much of the webinar focused on horror (or horror-adjacent) works involving haunted spaces. For example, the writing exercise involved making lists of five times when we experienced a haunting (including metaphorically) and five times when we should have been haunted, but weren’t. Then, we were to spend five minutes writing about one of these times. Unable to come up with such a list—especially on the spur of the moment, and without any real understanding of what she meant by “haunted”—I checked my email instead.
I should probably start by noting that I don’t believe in writer’s block. I absolutely believe that there may be reasons that a writer doesn’t write, and some of them may be quite valid (as opposed to, say, making up crap to cover the fact that they’re just lazy). After a devastating experience in a writers workshop during my junior year in college, I didn’t write fiction for twenty-five years, apart from a couple of tiny efforts that I quickly abandoned. In my case, it wasn’t a block–it was pure fear, and I knew it. The fear didn’t begin to melt until someone whose writing I admired offered genuine and enthusiastic praise for a story I’d written. Turned out that just as some arrogant, ignorant students could shut me down with their withering comments, someone I respected could lead me back out into the sunshine.
This is not to say that I have a constant flow of confidence and I always find writing easy. I can still get jammed up, unable to come up with anything worth the effort of tapping keys. Like most writers, I have a hard drive full of false starts and outtakes, pieces that seemed to have promise until I grabbed them out of the air, crushed them in my hand, and smashed them onto the page. I expect that many writers have had similar experiences. A story is never so beautiful or perfect as the moment before we begin to put words to it.
Some people say that if you’re stuck—the words won’t come, the idea bank is empty, echoes reverberate in your brain—the answer is to fight through it. Butt in chair, hands on keyboard, and don’t get up until you’ve written. The fact that what you write may be utter dreck is beside the point. Especially if you’re a professional, waiting for inspiration is a luxury. Write the damned story, even if it sucks. You can’t edit a blank page.
The beginning of the year is a time for starting over. We sweep away old habits, old messes, old goals we didn’t meet, and in their place, we impose new ones. This year, we tell ourselves, this year will be different. This year, we’ll exercise, eat better, work harder, have more self-control. We’ll set goals and then achieve them, whether they’re little goals like losing ten pounds or big ones like selling that book we’ve slaved over for years for a six-figure advance. Of course, the internet is replete with cautionary advice about not trying to do too much, but what does the internet know about dreams?
I published Becoming Mrs. Claus last fall. Those who were reading this blog last winter know that at that point, I never thought it would happen. I was ready to trash that book and work on something, anything else.
When my sister was in fourth grade, her teacher assigned the class to interview someone with a list of questions she had prepared. Julie chose my father. One of the questions was, “What do you dislike?” Dad’s answer was prompt and memorable: “Waiting and lumpy gravy.”
I don’t recall ever encountering lumpy gravy, but I do have substantial experience with waiting. Suffice to say, I am my father’s daughter on this issue.
Sometimes, though, the wait time isn’t nearly long enough. Take the holiday season, for example. Traditionally, everything was crammed in to the roughly four-week period between Thanksgiving and Christmas. This year, though, I noticed that Christmas preparations seemed to begin as soon as the last trick-or-treaters trooped down the driveway with their bags of candy. My neighbors had had a pair of 12-foot tall skeletons in front of their house since mid-September; within a week of Halloween, the skeletons had been replaced by a giant inflatable snowman and a Santa statue. (The snowman deflates approximately every other day, but they’re vigilant about reinflating it.) It’s as though people decided that they want more time to get ready for the holidays so they don’t have to fret about delayed packages and sandwiching holiday obligations between regular ones.
As of this writing, I’ve read Amy Tan’s essay, “Angst and the Second Book,” at least twenty times. I’ve referred people to it. I’ve quoted it. I’ve underscored passages (and I’m not casual when it comes to writing in books).
Right now, this essay resonates in my soul.
Because on November 15, 2023–less than two months from today–I shall release my Second Book.
Technically, it’s my third book. My second book was a novella entitled, My Brother, Romeo (Tuxedo Cat Press, 2021), which was issued only as an ebook. That release was a deliberate choice. I’d published my debut novel, State v. Claus (Tuxedo Cat Press, 2020), a year earlier. I wanted to build up my backlist, and I knew the sequel to State v. Claus wouldn’t be ready for a 2021 release since, among other things, I hadn’t yet written it. So I published My Brother, Romeo to fill the gap.
My upcoming book, Becoming Mrs. Claus, is my second novel. Like State v. Claus, it will be published in paperback as well as ebook. In my heart, it’s my Second Book.
Sure, there’s a boatload of work to do. Billable work, administrative work (such as sending bills, which is the happiest part of billable work), book work (editing), other book work (back cover copy), still more book work (including sending advance reader copies (ARCs) to authors who have generously agreed to blurb), housework, yard work (I literally have not weeded any of the gardens all summer), and errands.
P. Jo Anne Burgh 